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Pier Paolo Pasolini’s work, an art house film based on Marquis de Sade’s 120 Days of Sodom , depicted atrocities, cruel sexual perversions, and carnal debaucheries. These perverted acts were committed upon a group of about 30 young peasant teenagers (both male and female) by four ruling WW2 Fascists in the short-lived, lakeside republic of Salo in Northern Italy over a few days.
Salo began with degradation — the male and female youths who were seized in the town were stripped and inspected ("A delicious little ass. Never seen one firmer. A pair of little breasts, to revive a dying man") and then driven to a secluded chateau near Marzabotto, where they were instructed that every day would include these acts: "intermingling, entwining and copulating incestuously, committing adultery and sodomy."
The film’s many contested scenes immediately ran into censorship problems and utter disgust. Its four chapters clearly delineated the reason for the aroused outrage:
Pasolini’s film connected fascist rulership to extremes of sexual deviation inflicted upon the imprisoned youth ("Weak, chained creatures, destined for our pleasure"). The young people were told that they were "beyond the reach of any legality." One girl committed suicide early on by slitting her own throat to escape the brutalities.
Breakfast in the dining hall was served by naked girls – one of whom was tripped and raped from behind, after which another male was penetrated anally. Soon after, the entire group engaged in a mock "wedding feast." A couple (hapless blonde Renata and Sergio), accompanied by dozens of naked flower-bearing bridesmaids and bridesmen, participated in a ring ceremony, often interrupted by unprovoked gropings of the nudes. The two were first encouraged to fondle each other and show their affection, but denied consummation, and then were anally raped by the libertines (and in addition, there was an instance of three-way intercourse from behind).
One hapless blonde girl, Renata was forced to eat fresh human excrement with a spoon in the chapter titled "Circle of Shit" (a segment obsessed with anal bodily functions) when she was urged on by a man after he had freshly defecated on the floor:
"Come, little one, it’s ready. On your knees. Courage. Go on, eat! Take this spoon. Eat!"
A second mock "wedding feast" served platters of cooked excrement for the guests as an "intoxicating dish." Another young girl was commanded to stand above a man and urinate into his open mouth.
In another notorious scene, the youths were stripped, collared, leashed, and forced to act like dogs begging for pieces of meat (one girl bit into a piece of food laced with nails).
for Peasant Youth, Even Murder.
A contest was held to judge the "loveliest ass in the villa. " The naked youths were arranged in a circle on the floor in the dark, bent over with their behinds facing upwards and inspected by flashlight during the judging, as the men seriously commented:
"The differences between boys and girls are enormous. let’s try to be objective."
The final chapter, "Circle of Blood," began with a group wedding ceremony in which three cross-dressed older men were coupled with a male youth and then engaged in homosexual kissing and sodomy in the bedroom on their ‘wedding night,’ in a master/slave relationship.
As punishment for breaking the rules, male youth Ezio was executed, along with his black maid partner, for illegally making normal love together. Bound by their wrists and sitting in a tub of excrement, one girl cried out: "God, why did you abandon us?"
Further tortures conducted in the outdoor courtyard (and seen through binoculars) included penis and breast nipple-burning, tongue cutting, strangulation by hanging, eye-gouging, scalping, and male nipple branding.
The Sensuous Nurse (1975, It.) (aka L’Infermiera)
This Italian erotic comedy farce from director Nello Rossati featured the nudity of two popular Bond girls: Ursula Andress (from Dr. No (1962) ) and Luciana Paluzzi (from Thunderball (1965) ).
It told of a wealthy, aging widower named Count Leonida Bottacin (Mario Pisu) who had suffered a near-fatal heart attack while having sex with a younger female, the wife of a grave-digger. The lecher was making three visits a week to the cemetery for sex after the death of his wife.
His lusty weakness for sex, as a way to have him die off with a second heart attack, was encouraged by his scheming nephew Benito Varotto (Duilio Del Prete), one of the greedy heirs, who arranged for the hire of a sensuous full-time nurse named Anna (Ursula Andress), his Swiss ex-girlfriend.
The group of heirs wanted to speed Leonida’s death in order to take over his winery and sell it to American investor Mr. Kitch (Jack Palance). The malevolent group included:
Italia (Marina Confalone), Benito’s wife, with a son named Adone (Stefano Sabelli) from a previous marriage Jole Scarpa (Luciana Paluzzi), Leonida’s sister-in-law Gustavo (Daniele Vargas), the brother-in-law.
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